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“Renée Levin transforms ordinary objects into quiet meditations on emotion, memory, and the orderly patterns of the natural world. Through careful restraint and scale, her paintings invite viewers to slow down, reflect, and feel the gran

Mexican artist @angelaleyvago explores identity and memory by combining the distorted faces of patients with the unique stories of her sitters, delving into their personal archives, viewing them as clues or fragments to be reassembled 🦪

“The world of Margriet van Breevoort is truly singular.

Through hyper-realistic sculptural techniques, her artworks illustrate the consequences of forcing Nature into a state of efficiency: hybrid beings that incorporate bodily elements, both

👁️ The Lover’s Eye and the beginning of Glimpse…

Glimpse was borne from the unlikely concept of the Lover’s Eye, miniature watercolor portraits, popular in England and Europe between roughly 1790 and 1820.

These small jewellery

‘bass relief’ editorial by Eamon Freel for Epoch Review 🪞

REVIEW: Good Eye Projects 2026

Bringing together artists from the most recent cohorts of the Good Eye Projects residency, this group exhibition at Saatchi Gallery offered a glimpse into the practices shaping London’s emerging art scene.

Write

📌 REVIEW: Gerhard Richter at the Fondation Louis Vuitton

Despite being one of the most important visual artists of our time, Gerhard Richter never really resonated with Glimpse Co-Founder Ana Escoto. That was until things finally clicked at the Ger

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