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The new V&A East Storehouse (@vam_east) may have only opened this May but it has already turned the museum formula on its head. With its “Warburgian” display spanning multiple generations, the Storehouse is something of an Aladdin&rsq
Ana Mendieta, Siluetas (1973-1978)

Ana Mendieta buries herself back into the Earth to return to the roots of her land and herself. Just like the coming and going of the waves, our existence flows in and out of the bigger body of water. 

“My a
“One of the first feelings I had was fear. Not just fear of losing momentum, but fear of losing presence. Or plainly, the fear of losing.”

In our latest feature, writer and curator Gigi Surel (@gigisurel_) details the launch of @teaspoon
Here are some stunning images from Soo Hyun Lee’s (@todayisoohyun) performance ‘I have seen this coming’. 

Performers were given 975kg of handmade powder and instructed to create a protective form. The piece concerns the difficulti
Painter Isaac Willis (@isaacj.willis) uses the unlikely combination of Early Protestant imagery and Internet memes to demonstrate the intricacies of contemporary visual culture. In conversation, Willis - along with writer Jael Arazi - details how the
Our website has undergone an upgrade! 💫 now you can scroll Glimpse in bed as Carrie Bradshaw intended 💻 

🔗 in bio

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#glimpsemag #art #artmagazine #mag #satc #carriebradshaw
Diving head first into the week 🌊
What does it mean to be unseen? This is the question posed by Luxembourg + Co.’s newest London exhibition ‘In Plain Sight’. Through a series of works, from Magritte to Man Ray, the show redefines the space by asking viewers to quest
We’re back from a brief hiatus (whoops) and ready to share a sacred art pilgrimage to what some may consider to be the UK’s cultural capital… Wakefield 🤩 (even without the pie shop, R.I.P.).

Our Editor, Beth, left London Gallery
Joanne Teasdale, Twins, 2010, fusible film and kilnformed glass.
Rae Klein (@rae_klein), Unparalleled Joy And Unconditional Love, 2022-2023. Oil on linen. Detail.
Hand Study with Glass Ball by Ernst Wenke, 1930.
Warsaw-based artist Jan Możdżyński‘s (@janmozdzynski) solo show @miloscgallery is both spirited and poignant. Exploring the bittersweet loss of coming of age, I Just Dropped in to See What Condition My Condition Was In “dances on the edge
From soft lines to sharp truths, Soo Hyun Lee’s journey unfolds in a powerful exploration of resilience, growth, and artistry. Soo invited Glimpse into her studio discuss her work and its connection to race and gender, and how it acts as a vehi
OPEN CALL ALERT! ☎️ 📝

Our submissions are now open! If you are interested in visual arts and culture and how they intersect with our everyday lives, then Glimpse is the perfect place to share your writing. We are looking for show reviews, interview
Atrabiliarios, installation (1992-2004) by Doris Salcedo.

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Salcedo’s installation honours the many victims of the Colombian civil war during the 1980s. The shoes of those who had been ‘disappeared’ from their homes were inserte

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