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Collaborations

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REVIEW: Good Eye Projects 2026

Bringing together artists from the most recent cohorts of the Good Eye Projects residency, this group exhibition at Saatchi Gallery offered a glimpse into the practices shaping London’s emerging art scene.

Write
πŸ“Œ REVIEW: Gerhard Richter at the Fondation Louis Vuitton

Despite being one of the most important visual artists of our time, Gerhard Richter never really resonated with Glimpse Co-Founder Ana Escoto. That was until things finally clicked at the Ger
@nicolettemishkan Cleansed, 2025. 🫧

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#theglimpsemag #contemporaryart
As the year draws to a close, we soften into winter, a season concurrently wrapped in celebration and solitude ❄️

While winter can be unforgiving, it also invites pause. In this stillness, Glimpse Editor Beth McKenzie reflects on how the cold months
It’s getting chilly…β„οΈπŸ’¦

πŸ“·: 1 & 2: Helen Chadwick, Piss Flowers, 1991-2. Helen Chadwick and David Notarius take turns urinating into a mound of snow topped with a metal, flower- shaped template © The Estate of Helen Chadwick.
πŸ“Feline Bodies, Female Forms and the Violence We Don’t See

Lisa Brice’s exhibition ‘Keep Your Powder Dry’ at Sadie Coles’ (@sadiecoleshq) new Savile Row location is art-historical revisionism in its most liberating for
πŸ“Œ New Review Incoming 

Install shot from Lisa Brice’s ‘Keep Your Powder Dry’ at Sadie Coles HQ, Savile Row.

πŸ“·: © Lisa Brice. Courtesy the Artist and Sadie Coles HQ, London. Photos: Katie Morrison.
With the colossal feat that is Frieze week coming to a close, most London galleries are relieved to have survived the chaos. But have many considered the environmental impact in the mayhem?

Gallery Les Bois (@gallerylesbois), a new gallery based in

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