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With the colossal feat that is Frieze week coming to a close, most London galleries are relieved to have survived the chaos. But have many considered the environmental impact in the mayhem?

Gallery Les Bois (@gallerylesbois), a new gallery based in

Marina Abramović, Rhythm 0, 1974. Still.

Marina Abramović’s acclaimed Rhythm 0 was an endurance art performance in which audience members were dared to use various items to interact with the artist who was rendered an object, unable to interve

Soo Hyun Lee’s artistry has undergone a metamorphosis.

In her first solo show at sothu Gallery, a host of emblazoned characters reach their fuller form - their defiant eyes confronting the past violence inflicted upon the artist.

Read the fu

Sang Woo Kim’s series Ways of Seeing takes its name from the now infamous text by John Berger.

Exploring the latent power dynamics of traditional portraiture, Kim portrays his own features as both a protest against traditional depictions of A

The new V&A East Storehouse (@vam_east) may have only opened this May but it has already turned the museum formula on its head. With its “Warburgian” display spanning multiple generations, the Storehouse is something of an Aladdin&rsq

Ana Mendieta, Siluetas (1973-1978)

Ana Mendieta buries herself back into the Earth to return to the roots of her land and herself. Just like the coming and going of the waves, our existence flows in and out of the bigger body of water.

“My a

“One of the first feelings I had was fear. Not just fear of losing momentum, but fear of losing presence. Or plainly, the fear of losing.”

In our latest feature, writer and curator Gigi Surel (@gigisurel_) details the launch of @teaspoon

Here are some stunning images from Soo Hyun Lee’s (@todayisoohyun) performance ‘I have seen this coming’.

Performers were given 975kg of handmade powder and instructed to create a protective form. The piece concerns the difficulti

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